Company Policy -
Concession in a Recession
 |
A Musical Irony about …
a politician’s insatiable thirst for power at
anyone’s expense,
a group of investors hungry for money at any cost,
and their burning desire to control everything with
this
“holy thing called Company Policy ”...
The Concession in this Recession |
Company Policy: Concession in a Recession is a
musical irony which places political and financial ambitions
within the context of the ongoings of a fast-food family
chain restaurant. The musical is performance ready
(with several options possible as described below).
PLEASE NOTE: I should like to emphasize that the listening
extracts are for demo
purposes only. In order to produce
a “representation” of the songs, I have sung all the parts
(also in polyphonic textures). Admittedly, the effect
is not always optimal when a female vocal should be singing,
for example, in the song “I don’t want this I want much / no
more”. However, in the song texts of this synopsis I
have put the names of the characters so that you can tell
when a woman’s voice would be required. In the song
“Once upon a Midsummer Night,” I adjusted the duet so that
it could be sung by one person.
For more information have a look at the following items:
Background of the
Musical
The actual writing
of Company Policy - Concession in a Recession has its
roots in the mid-1980s when I was studying with the Austrian
composer Alfred Uhl at the Hochschule (now University) für
Musik und darstellende Kunst in Vienna. Professor Uhl was
very keen for me to “find my American roots” as a composer.
So he suggested that I study some jazz harmonies and create
a project with its fundamentals in an “American” style of
composition. I chose the Musical as a genre. This was the
start of a very long stop -‘n’- go journey. In between
times, I have also worked with the Austrian writer Reinhold
Schrappeneder on a German version which yielded some
wonderful results. The version I
am introducing here, however, reverts back to my original
writings and ideas and is in English.
While living in
Vienna during that time (and future times) I noticed that
there were (and still are) more and more chain restaurants
taking over cafes and traditional Viennese restaurants
which, aside from my love of the city, is one of the reasons
I chose the Austrian capital as the location. And while
earning my way through university in California (in the late
1970s and early 80s), I took on a variety of jobs - bus boy,
dishwasher, cook, waiter and bartender - in several chain
restaurants. Through these many experiences in the
restaurant business I felt qualified, at least on a basic
level, to use this as the platform for the plot of
Company Policy. Employing the ideas of the financial
crisis of 2008/2009 places the musical in a contemporary
(and one day perhaps “historical”) setting.
The structure
touches on the “traditional” musical as a genre (i.e., the
Gershwins, Rodgers and Hammerstein). Between the dialog,
there are 19 musical numbers - ranging in length from about
40 seconds to four minutes - including an Overture
(with a quote of tunes from some of the songs) and a
conclusive Finale to “wrap up” the musical form.
Stylistically, however, it was my
intention to find my own voice, which, I believe, was very
much nurtured by Professor Uhl.
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Character List
MAGGIE MACWIGGEL: 35-37, Manageress of the first Merry Go
Round Restaurant in Vienna; strict, "by the book" in
implementing company policies. Doubles as:
P.I. ELISABETH BERGHOFF: Police Inspector working under
cover as Maggie MacWiggel; sympathetic and likable
MAX: 62-65, accordion player at The Grinzing Inn;
traditional Viennese gentleman. Doubles as:
MR. CHAIRMAN: Chairman of the Board of MGRRC; dressed in
black cape, top hat and eye mask, white gloves and identity
withheld from audience, always behind the silhouette screen,
appears to be intimidating and only interested in money. The
voice should be disguised (i.e., deepened for more
authority). Wears black top hat, eye mask, black suit and
cape.
TYLER TALIHOE: 29-32, Assistant Manager of The Merry Go
Round; company man, only interested in his own ascent in the
company as a CUP member; belittles employees with sarcastic
comments and tone of voice; immediate ambition: to replace
Maggie MacWiggel
HOMER PODERMEYER: 20, eager to please, good-natured,
possesses a subtle wit, intelligent
ROGER RUTHAFORD: 25-26, Cook with Walter, Helene's
boyfriend; friendly, gives the impression of being rather
carefree, from wealthy background
HELENE WINDSOR: 23-25, Waitress, Roger's girlfriend, stable,
conscientious
ZACK HEATH: 20, Waiter, vain and self-centered, high opinion
of himself, arrogant
FANNY FEATHER: 20, Hostess, vain; gossipy, shows no interest
in the job
MORRIS T. ASTERSON: 40-45, Dishwasher but trained as a
bookkeeper; hard-working, clumsy, pleasant and likable, dry
sense of humor
WALTER DILLCOX: 35-40, Cook, can be intimidating, sensible,
hard working, warm, looked up upon by his fellow employees;
was cook from The Grinzing Inn
CONNIE: 35-40, Bartender/Lounge Waitress; former Grinzing
Inn employee; minds her own business, does not get directly
involved in house politics
ALEX APPLEBEE: 22-23, waiter; hard-working, friendly, well
liked by his fellow employees, outspoken
GUSTAV GRABENHEIMER, 42-45, Head of the CUP; Smartly
dressed; confident, narrow-minded, power-hungry politician;
independently wealthy; seen at isolated moments delivering
speeches
MEMBERS OF THE MGRRC BOARD (with black top hat and black
suite):
HERR SCHMIDT: CUP member and MGRRC Board member; character:
underhanded and sneaky, self-serving, unfriendly
HERR SCHNITZEL: Colleague of Herr Schmidt; also is a CUP
member and MGRRC Board member; character: naive, slow to
catch on, tries to be humorous and never succeeds
ROBERT RUTHAFORD: Roger's father, the President of the Fair
Deals Investment Bank, undercover, makes himself appear a
bit naive as an MGRRC board member. Puts guarantor money up
for MGRRC through the Bank
OTHER BOARD MEMBERS: Mr. Robolite (also MGRRC customer), Mr.
Humblenot (also MGRRC customer), Mr. Moneymaker, Mr.
Takeall, Mr. Getmore
ROBOLITE FAMILY (Mr. and Mrs., Brucy and Lucy): children are
younger "copies" of parents, boring, CUP supporter
ANDY FARGONE: rough mannered, CUP supported
LOUISE CRABBLE: lonely, complains constantly, CUP supporter
MR. AND MRS. L.P. HUMBLENOT: snobs; act "royal", CUP
supporters
HERR BERGHOFF: owner of The Grinzing Inn; older gentleman
FRAU BERGHOFF: wife of Herr Berghoff, kind and warm
SOPHIE: Zack's cousin, bright and good-humored; modest and
sincere
ETHYL “The Little Devil”: Cabaret-style singer at The Merry
Go Round
OTHER CUSTOMERS: Dorothee and Frank, Rollie, Pierre, Maria,
Customers 1 and 2
Two Police Officers.
NON-SPEAKING ROLES: Tom and Becky (friends of Fanny and
Zack, respectively), Walter’s wife, Connie’s husband
“Top-hat Spies”: Herr Berghoff (Act I, Scene 3), Alex (Act
I, Scene 5), Morris (Act I, Scene 6)
ACT I
1.
Overture (Instrumental)
(3:32) [LISTEN]
2.
Grinzing Inn where our
Hearts have always been (Max, Guests, Herr & Frau
Berghoff) (2:12) [LISTEN]
3.
Buying Low and Selling
High (Schmidt and Schnitzel) (1:05) [LISTEN]
4.
The three important
Things in Life (Chairman and MGRRC Board) (2:13)
[LISTEN]
5.
Merry-go-Round Round
Nr. 1 (Employees) (:40) [LISTEN]
6.
It’s Company Policy (Employees)
(2:50) [LISTEN]
7.
So friendly we serve (Employees,
MGRRC Customers) (3:37) [LISTEN]
8.
What more can I do for
Heaven’s Sake? (Morris) (2:55) [LISTEN]
9.
Place your Bets on the
Company (Roger, Walter, Talihoe, MacWiggel) (4:14)
[LISTEN]
10.
Merry-go-Round Round
Nr. 2 (Employees) (:42) [LISTEN]
ACT II
11.
If you buy me a Drink (Ethyl
- “The Little Devil”) (2:23) [LISTEN]
12.
I don’t want this, I
want much / no more (Helene, Roger) (3:25)
[LISTEN]
13.
Love can wait, to be
alone is not what I fear (Sophie) (2:17)
[LISTEN]
14.
Mémoires de Vienne (Instrumental
Ball Music) (1 :55) [LISTEN]
15.
Once upon a Midsummer
Night (Sophie, Homer) (3:20) [LISTEN]
16.
Don’t smile till
Christmas (Chairman, MGRRC Board Members) (3:54)
[LISTEN]
17.
Monkey see as Monkey do
(Schmidt and Schnitzel) (1:07) [LISTEN]
18.
I confess I’m the
Chairman (Chairman, Ensemble) (2:11) [LISTEN]
19.
Finale (Ensemble)
(2:42) [LISTEN]
Total Duration of Music (excluding
transition music): approx. 47 Minutes
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Detailed Synopsis
(including Texts to Songs)
ACT I
Background of the Story
The global recession of 2008 and 2009 has not spared the
city of Vienna, the capital of Austria. A growing number of
businesses have been badly affected and the unemployment
rate is accelerating to record highs. A well-connected
politician named Gustav Grabenheimer, who made his fortune
in the early days of the internet boom, sees the financial
crisis as an opportunity to fuel his populous political
ambitions. He decides to start a new political party called
The Corporate United Party or CUP which promises that all
who “Drink from the CUP of Opportunity” will benefit even
during these desperate times.
No. 1 - Overture [LISTEN]
Scene
1: The Grinzing Inn (Out with the Old, in with the
Crooked)
Max, who has been the accordion player at The Grinzing Inn
for nearly 35 years, has been observing the gradual
political development of the CUP. He knows that its leader,
Gustav Grabenheimer, is very opportunistic. Max has not
forgotten the numerous attempts the politician has made to
secure his prominence in Vienna’s lucrative financial scene.
Some guests at The Grinzing Inn - Maria, Pierre and Rollie -
request Max to play the theme song of The Grinzing Inn.
No. 2 - Grinzing Inn, where our Hearts have always been
[LISTEN]
MAX
Two hundred years, perhaps even more
The grapes have grown for the wine.
Generations have seen that traditions
Have lasted the test of time.
ALL
Grinzing Inn, where our hearts have always been,
To leave is but to mean we'll be back again.
Singing songs from days of long ago,
There's nowhere that we feel so much at home.
MAX
An evening meal, a warm fireside
Meeting friends at the end of the day.
Conversations seem to go on
Till everyone goes their way.
ALL
Grinzing Inn, where our hearts have always been,
To leave is but to mean we'll be back again.
Singing songs from days of long ago,
There's nowhere that we feel so much at home.
Instrumental – Herr and Frau Berghoff dance
| PART 1 Grinzing Inn, where
our hearts have always been,
To leave is but mean we'll be back again.
Singing songs from days of long ago,
There's nowhere that we feel so much at home. |
PART 2 Grinzing Inn, where hearts have been.
To leave is but to mean we’ll be back again.
Singing songs from days long ago.
There’s nowhere that we feel so much at home. |
Max has noticed that two of Grabenheimer’s closest followers
- Herr Schmidt and Herr Schnitzel - have been making
regular visits to The Grinzing Inn over the past few months.
Grabenheimer has given them orders to “encourage” the owner
- Herr Berghoff - to accept “an offer he can’t refuse.” And
what does Grabenheimer want with The Grinzing Inn? He aims
to convert it into the first of many fast food restaurants
as part of the chain called The Merry-Go-Round Restaurant
Company or MGRRC. With the profits produced by the MGRRC
Grabenheimer wants to fuel the finances of the Corporate
United Party’s political machine. After turning down their
offer a number of times, Herr Berghoff finally gives in to
the pressure to sell. He realizes that he has also been hit
hard by the recession. Many of the tourists prefer to go
down the street to Miracle Burger where they can order the
same food wherever they go at cheap prices. And, if he
doesn’t sell now, he could be at risk of losing everything
which, so soon before retirement, could be leave him and his
wife with nothing to live off of. With great reluctance and
a sense of shame for giving up the Grinzing Inn to
Grabenheimer and his manipulative political strategy, Herr
Berghoff signs the tavern over to MGRRC. Schmidt and
Schnitzel are very proud of their accomplishment and look
forward to the big money they will make off the deal.
No. 3 - Buying low and selling high [LISTEN]
SCHMIDT
The C-U-P’s just right for me, the cup of opportunity.
Fill it up and drink it down and see.
SCHNITZEL
M-G double R-C’s the way I plan to take a holiday.
Far from here for years when all this pays.
BOTH
Buying low and selling high is
How to make our profits rise.
If we follow all the rules
We’ll surely be the ones to beat the fools.
SCHMIDT
The C-U-P’s just right for me, the cup of
opportunity.
Fill it up and drink it down and see.
M-G double R-C is the way to a holiday.
Far from here for years when all this pays.
Buying low and selling high is
How to make our profits rise.
If we follow all the rules
We’ll surely be the ones to beat the fools.
|
SCHNITZEL
C-U-P is an opportunity.
Fill it up and drink it down.
M-G double R-C’s the way I plan to take a holiday.
Far from here for years when all this pays.
Buying low and selling high is
How to make our profits rise.
If we follow all the rules
We’ll surely be the ones to beat the fools.
|
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Scene 2: The MGRRC Boardroom (A new Business in
the making means Money for the taking)
Now that the deal has been signed, sealed and delivered the
Chairman (behind the silhouette screen) and members of the
Board of Directors for MGRRC are discussing the details of
the new chain restaurant business. Mr. Grabenheimer, who may
not attend such meetings so that “politics and business
don’t mix,” has personally written up a set of 1001 rules
and regulations for the employees of the company to follow.
These “guidelines” - otherwise known as Company Policy - are
intended to keep the employees on their toes to assure the
correct portrayal of the corporate image and, at
the same time, forcing employee service and loyalty to the
company. According to Grabenheimer “employees, next to
politicians, are the lowest form of human.” All employees
must sign, as part of their contract, that they will
uncompromisingly abide by Company Policy. Failure to do so
could lead to termination of contracts. The aim is lead to
an optimization of company profits which should translate
into making money for the investors of the MGRRC Quick
Profits Fund. After all, isn’t money among the three most
important things in life?
No. 4 - The three important things in Life (1. Money, 2.
Money, 3…) [LISTEN]
Everybody knows that the three important things in life
Are one - (all shout) money, two - (all shout) money, three
- (all sing) money.
Money buys us happiness and all we'll ever need
So make more money, bring it to me, and see what I mean, see
what I mean.
Money as sweet as honey
You're never alone when you've got money
Profits bring you lots of friends
Two for one in the end, two for one in the end.
Nothing brings me so much joy
As rising profits and falling gold.
And what a thrill when I'm in the black
I can buy my youth back and will never grow older, older.
Money makes the merry go round,
round and round until you win.
You can't collect the money until,
You've gone around and round again.
|
PART 1
Everybody knows that the three important things in
life are one, money! two, money! three, money!
Money buys
us happiness and all we'll ever need,
so make more
money, bring it to me, and see what I mean. See what
I mean.
|
PART 2
Money, as sweet as honey, you're never alone when
you've got money.
Profits
bring you lots of friends, two for one, in the end;
two for one
in the end. |
PART 3
Nothing brings me so much joy, as
rising profits and falling gold.
And what a
thrill when I'm in the black, I can buy my youth
back
and will
never grow older, older. |
|
Money makes
the Merry Go Round, round and round until you win.
You can't
collect the money until you've gone around and round
again,
until you've
gone around again, around again,
around
again. |
Money, money
Ah
Money, money
Ah
Ah
Ah, around
again. |
Money, money
Ah
Money, money
Ah
Ah
Ah, around
again. |
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Scene 3: The Carousel Room at the Merry-Go-Round
(“This holy Thing called Company Policy”)
Without delay, the Merry-Go-Round Restaurant is open for
business. With the tackiness of the uniforms and a cheap
amusement park-like design for the restaurant, one would
hardly have thought that The Grinzing Inn had ever existed.
No. 5 - Merry-Go-Round Round No. 1 (“mechanically”
performed in 4 parts as a round) [LISTEN]
Merry Go Round at the center of town
Has everything you need
We serve with a smile
Great food worth your while
So many already agree
Ms. MacWiggel, the first manageress of the Merry-Go-Round
Restaurant, doesn’t waste any time implementing Company
Policy. Though she is just following her orders from on
high, the employees begin to despise her. Mr. Talihoe, the
assistant manager and close follower of the CUP, is glad to
see that she is unpopular and is hoping she will fail so
that he can become manager. MacWiggel writes up several
company policy violation reports: on receptionist Fanny and
waiter Zack for having a flirtatious personal conversation
on the job, dishwaher Morris T. Asterson for breaking a pile
of dishes, and Alex the waiter for having been “rude” to a
customer by not allowing him to smoke at a table marked
“non-smoking.” Was Alex actually framed? But why then did
Ms. MacWiggel spare Roger for putting a juicy pickle in his
mouth while cooking? The high point of the scene is when the
employees show their frustration - in song and dance - about
“this holy thing called Company Policy.”
No. 6 - It’s Company Policy [LISTEN]
ALEX
The first thing you should know is you're on stage at all
times
ZACK
Each and every move is being watched
FANNY
No matter where you are, doesn't matter where you've been
WALTER
There'll be someone there to clue you in.
ROGER
The next thing on the list is of most importance
CONNIE
The customer so they say is always right
HELENE
You never argue down, Nor do you ever challenge their ground
HOMER
'cause they'll win despite their narrow insight.
ALL
It's company policy we aim to serve by
Otherwise we'll be unemployed
Every now and then I can't help but see
Exactly what's behind this holy thing called “Company
Policy.”
Instrumental
ZACK
The last you'll be sure to make a note of later
FANNY
Once you're on the clock your soul is owned
WALTER
Your time belongs to them as does your mind
ROGER
But not to fear the checks get signed.
ALL
It's company policy we aim to serve by
Otherwise we'll be unemployed
Every now and then I can't help but see
Exactly what's behind this holy thing called Company Policy.
ALL (mysteriously)
It's Company Policy
It's Company Policy
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Scene 4: The Carousel Room (Alex gets the Sack and
some rather odd Clientele visit the MGR)
Helene
prepares her station for the dinner rush. When Alex does not
appear as scheduled, she asks MacWiggel if he is perhaps
coming in late. MacWiggel tells Helene that Alex’s loyalties
were not in the right place and will not be coming in. He
had been sacked just after the incident with the customer.
MacWiggel then orders Zack to help Helene to cover Alex’s
station. But no time to dwell on the matter. There was work
to be done. A group of rather odd customers has entered to
dine at the Merry-Go-Round Restaurant. Roger explains that
these people are CUP supporters and close followers of
Gustav Grabenheimer’s politics. How would he know this?
No. 7 - So friendly we serve (as long as they don’t get
on our nerves) [LISTEN]
Instrumental introduction
MR. AND MRS. HUMBLENOT
We are the elite, members of high class, When we eat, we
expect first class
We only accept the best, Why settle for anything less
We're the elite, So serve us complete.
EMPLOYEES
Our customers are always number one. We go the length to
please everyone
Of course, so friendly we serve
As long as they don't get on our nerves
And leave a big tip on the plate.
MR. ROBOLITE
Don't bother with the menu, the usual of course will do.
Pen in the hand and ready!
Write every word I say!
My wife will have the combination plate
And I will have the shrimp and sirloin steak.
Bring the children milk with the meal, yes you should,
And we would like our wine at this time if you could.
LUCY and BRUCY
For dessert a Merry Hot Fudge Sundae with extra topping!
EMPLOYEES
Our customers are always number one. We go the length to
please everyone
Of course, so friendly we serve
As long as they don't get on our nerves
And leave a big tip on the plate.
LOUISE CRABBLE (distressed):
Waiter, waiter bring me a cup of tea
I don't have the time to sit around all day.
Bring my order or I'll go across the street now! - I said
Waiter, waiter!
EMPLOYEES
Bring a tea and bring it now for this mad old cow!
LOUISE CRABBLE
Bring my order or I'll go across the street…
ZACK (to Louise in a lullaby-like manner)
Thanks for your patience, little darling, now is your time.
We hope your order's as you wish and everything's fine.
ALL EMPLOYEES
Just give us a ring if you need anything.
|
Our
customers are always number one
We go the length to please everyone
Of course, so friendly we serve
As long as they don't get on our nerves
And leave a big tip on the, leave a big tip on the,
leave a big tip on the plate!
Yes, leave a bit tip on the plate! |
Our
customers are always number one
We go the length to please everyone.
Friendly but nerving
Leave a tip, leave a tip
Leave a tip on the plate
Yes, leave a bit tip on
the plate! |
Scene 5: Outside, behind the Restaurant (Looking
for a another Job on Company Time)
Roger
is just finishing his ten-minute break, having just ended a
telephone conversation with his mother. Morris comes out for
his break and mentions to Roger that he is following up on a
job application as an assistant bookkeeper. Roger politely
acknowledges this and exits. Morris takes out his mobile
telephone and makes the phone call. A silhouette of someone
wearing a top hat appears to be observing Morris. Mr.
Talihoe also passes by and, pretending to be busy, listens
in on Morris’s conversation. Morris, not taking any notice,
asks the person on the telephone about the status of his
application. After some dialog exchanges the person hangs
up, obviously not interested in having Morris as an
employee. Talihoe exits unnoticed by Morris.
No. 8 - What more can I do for Heaven’s Sake?
[LISTEN]
MORRIS
When I'm lonely, I pray for comfort yet.
I know it's only sometimes heard.
I'll keep trying and, then maybe,
I'll get that job that's long waited for me.
I will never give up my dreams.
I will never stop shooting for the stars.
I can do it, yes, I know it,
All that I need is the chance to show it.
I'd sell my soul to the devil if I knew I would succeed.
I'd work without a moment's rest the chance is all I need.
What does it take to get that first big break?
What more can I do for Heaven's sake?
I'd risk my life riding rodeo if they'd look at me.
I'd climb to the top of the Matterhorn just for them to see,
(tell me):
What should I say to convince them I'm worth their pay?
Is it really worth all the trouble anyway?
Two plus two is simply four
No matter how it's added,
And two times two
Will be no more,
But zero if subtracted.
I'd stand on my head, make a funny face if they'd talk to
me.
I'd walk through fire for the company as employee.
What can I do to prove I'd do the work of two?
Is it true there is nothing I can do?
Welcome to the Merry Go Round.
Would you like to order now?
French fries, mashed or baked potato?
The soup-of-the-day's tomato.
When that day comes, I will be ready,
God only knows when that day's gonna be.
Back to top
Scene 6: Kitchen of MGR (The Raise did not come
through - Ever play Poker?)
Walter, who is the head cook at the restaurant, walks into
the kitchen looking down at his paycheck. Nearly in shock,
he realizes that he is being paid as a trainee cook. He
tells Roger that MacWiggel promised to pay him on the
correct scale. Then and only then could he finally quit his
other job working at Miracle Burger. When he confronts
MacWiggel on the issue she claims that he was late to work
last week and did not bother to tell anyone about it.
Talihoe, who has been “nonchalantly” listening in on the
conversation, waits for MacWiggel to leave before entering
the kitchen area. He tells Walter that MacWiggel was lying.
He had indeed told her about Walter’s daughter breaking her
leg and would be late to work to take the little girl to the
hospital. Talihoe hints around that the only way to achieve
change is to force it to happen. He then walks away but only
to the side, remaining unseen in order to listen to how they
react to his suggestion. Talihoe proudly grins as Walter and
Roger make plans to stage a cooks’ walkout during the busy
breakfast shift on Sunday morning. That should really get
under MacWiggel’s skin.
No. 9 - Place your Bets on the Company [LISTEN]
WALTER
The checks came in today as expected
And what was not “accepted”?
They failed to add the raise to my pay again.
They promised they’d correct it,
Now life is getting hectic.
I can’t afford to pay my growing debts,
I can’t afford to pay my growing debts.
ROGER
They’re watching every move we’re making, A spy on every
corner.
They’ll use what you do, what you say, to intimidate.
We need a plan of action,
We can’t work in this fashion.
They will have to know this ain’t a go,
They will have to k now this ain’t a go.
WALTER
Our plan has got to be clever with no room for error.
And when we draw the ace, we’ll put them in their place.
WALTER and ROGER
Place your bets on the company,
Then drink from the CUP of opportunity.
|
WALTER
Place your
bets on the company
Then drink from the CUP of opportunity. |
ROGER
Place your bets on the company
drink from the CUP of opportunity. |
WALTER
We'll wait until a full house and then we'll roll a seven.
A straight will get them thinking before we deal again.
ROGER
Mix the cards well and let them split the pile.
Have them pick a card remember joker's wild.
TALIHOE
They'll never get away with this we're sniffing on their
trail.
We'll spin the wheel of fortune and prepare their ship for
sail.
MacWiggel quickly appears on the opposite side of the
stage from Talihoe to remind the cooks about Company Policy.
Starting with MacWiggel, each should begin in successive
order, singing their distinct melodies the total number of
times indicated:
MACWIGGEL (4 times)
Company Policy! Company Policy!
TALIHOE (2 times)
They'll never get away with this we're sniffing on their
trail.
We'll spin the wheel of fortune and prepare their ship for
sail.
ROGER (2 times)
Mix the cards well and let them split the pile.
Have them pick a card remember joker's wild.
WALTER (1 time)
We'll wait until a full house and then we'll roll a seven.
A straight will get them thinking before we deal again.
ROGER
They’re watching every move we’re making, a spy on every
corner.
WALTER
They’ll use what we do, what we say, to intimidate.
ROGER
They'll see our plan of action and fail in their own
fashion.
WALTER
Then they'll know this way just ain't a go.
ROGER
Yes, they'll know this way just ain't a go.
WALTER
They'll never guess what we're up to, won't even have a
clue.
ROGER
And when they draw the joker, we'll walk out on the poker.
WALTER and ROGER
Place your bets on the company
Then drink from the CUP of opportunity.
|
WALTER
Place your
bets on the company
Then drink from the CUP of opportunity. |
ROGER
Place your bets on the company
drink from the CUP of opportunity. |
Talihoe is especially pleased with himself for having
“encouraged” the cooks to take action. In his mind, it is
now a matter of time before he becomes the manager.
Back to top
Scene 7: Carousel Room of MGR (Morris is fired. Is
Roger an Informer?)
The
Merry-Go-Round Restaurant seems particularly quiet this
evening. Why is this? The staff realizes that Morris has not
come into work. When MacWiggel is confronted with this, she
tells them that he was let go as a result of his “conflict
of interest.” How did MacWiggel find out that Morris was
looking for a job as a bookkeeper? Talihoe? Roger? Who was
the figure behind the silhouette screen? As sad as it is,
everyone has to watch every move they make.
No. 10 - The Merry-Go-Round Round No. 2 (sung in 4 parts as
“round”) [LISTEN]
Merry Go Round at the center of town
Has everything you need
We serve with a smile
Great food worth your while
So many already agree.
If we could just believe,
If we could just believe.
ACT II
Scene
1: Lounge / Bar of MGR (Ethyl, “The Little Devil,”
singing Troubles away)
Ethyl, “The little Devil,” an aging singer hoping for a
revival of her career - which reached its high point in the
late 1970s -, entertains anyone willing to listen. A group
of middle-aged men sitting at the bar await her performance
in anticipation.
No. 11 - If you buy me a Drink [LISTEN]
ETHYL
If you buy me a drink I'll always be your friend.
There's nobody like me who can keep a conversation
alive from beginning to end.
So stop wasting your time and buy me a fine wine.
Shake a little coin from your pocket.
I'll be true as long as there's booze,
Won't you buy me a drink?
If you ask me to join you I’ll tell you everything.
I’ve got secrets and stories about your next door neighbors
And a few tall tales about you.
So don't wait another moment and order a whiskey.
Don't be shy I'm really not fussy
I'll stay here for even a beer
Oh please buy me a drink!
When I was a little girl on my own
I worked and fed all my brothers.
Now men, have compassion for a poor little girl
Who can't afford a drink.
SPOKEN: Okay, for those of you who are a
little slow I'll repeat myself.
If you buy me a drink I'll keep you company.
I'll be yours until closing
And then I must be going
So hurry bring that liquor to me
So is there a gentleman here?
Who would like to volunteer?
To buy a lady - a grand ol’ lady - a drink?
SPOKEN: Even a coke would do!
Max explains to the audience that he has heard that the
board (and Grabenheimer) has decided to throw the first
annual MGRRC Employees Appreciation Ball. What better way to
forget one’s problems than to simply waltz them away? But
will it be enough to raise the morale of a demotivated
staff?
Back to top
Scene 2: Carousel Room of MGR (Making the Rounds:
Zack and Fanny, Helene and Roger)
Zack has promised his mother that he would take his
“bookworm” cousin Sophie to the ball to “get her out of the
late night library.” But Fanny and Zack would like to go to
the ball together and did not want a third person “ruining”
their good time. Fanny tries to sweet talk Homer into going
with her. Homer is quick to figure that she was trying to
get him to go for a totally different reason. Zack enters
the conversation and admits that he wanted to “dump” his
cousin on Homer. With some convincing, however, Homer agrees
to “take her off of Zack’s hands” if Zack throws in the cost
of the tickets. With some reluctance he agrees. Later in the
scene, Roger makes a phone call to his father and, without
giving it any thought, casually tells him that he and Walter
will be staging a walkout during the Sunday morning
breakfast rush. Helene, Roger’s girlfriend, overhears this
and accuses Roger of being an informer for the MGRRC-CUP
connection. She knows that Roger’s father is a member of the
MGRRC board. Roger denies any wrong doing. The two,
obviously at odds on the issue, use this as a reason to
question their relationship. She claims he is “dragging his
feet” and he believes she is “putting undo pressure” on him
to move the relationship to a point he is not ready for.
They express their differences in song.
No. 12 - I don’t want this, I want much / no more
[LISTEN]
HELENE
Typical and cynical you walk away.
You can listen to what I’ve got to say.
And if you think it’s wasting your time,
Then you’ll know how you’ve wasted mine.
Playin’ second fiddle to your drum
You might think this sounds dumb.
I can’t take this attitude anymore,
I don’t want this, I want much more.
ROGER (belittling)
What’s wrong my little darling?
Have you had a bad day?
Can I help to make things seem better.
A little rest is all you need, a bit of sleep.
I’m sure that there’s an explanation.
Let’s talk tomorrow, a much better occasion.
If you’re still not feeling right,
take a day off and rest all night.
Instrumental (Waltz)- Roger motions her to dance, with
spoken lines:
ROGER
Now see everything will be just fine.
HELENE
Let’s just sweep everything under the carpet, shall we?
ROGER
Indeed. Life’s too short to deal with such petty little
topics.
HELENE
Indeed. The way you’re going, your life will definitely be
short.
ROGER
There’s nothing like dancing to put everything into
perspective, don’t you think?
HELENE
Again you’re right, Roger. Everything is still terrible.
ROGER
Don’t be so pessimistic, Helene. Remember all the good
times.
HELENE
I’m very optimistic, Roger. And I do remember the good
times. (firmly) Both of them!
ROGER and HELENE (sung)
Love is not all peach and rosy,
Birds and bees have always known.
Cupid was a clever fellow.
Happily, he was alone.
Break apart from dancing.
HELENE
I’m sure you’ve got an explanation.
ROGER
Let’s talk tomorrow, a better occasion.
HELENE
And if I’m still not feeling right?
ROGER
Take a day off and rest all night.
HELENE and ROGER
Typical and cynical you talk away.
ROGER
Now you listen to what I’ve got to say.
HELENE
Although it’s a total waste of my time?
ROGER
Now you know how you’ve wasted mine.
HELENE
Playin’ second fiddle to your drum.
ROGER
Now that sounds really dumb.
HELENE
I can’t take this attitude anymore
I don’t want this, I want much more, much more. |
ROGER
I can’t take this attitude anymore
I don’t want this, I want no more, no more. |
Back to top
Scene 3: Sophie’s Bedroom (To go or not to go to
Ball - that is the Question)
Sophie is dressed in her ball attire as she readies herself
for a blind date arrange by her cousin Zack. He has already
arranged several “dumping” dates before with some rather
“questionable” characters. She is not very enthusiastic. She
debates whether she should wear her “bookworm” glasses or
wear no classes at all. Her mother calls to see how she is
doing. Sophie tells her that she will try to have fun at the
ball but that she doesn’t have any big expectations about
her date, seeing that Zack had something to do with it. She
tells her mother that, in fact, she does not at all mind
being alone. Obviously, she agrees to go to the ball to make
her mother happy.
No. 13 - Love can wait, to be alone is not what I fear
[LISTEN]
SOPHIE
In Vienna’s Second District I've lived all my days,
I grew up on the Prater Allee.
Around goes the Ferris Wheel with its highs and its lows
this old city is all that I know.
I have danced till the sun rises danced sun go down,
But I've not yet been lifted off the ground.
So what is my fate?
Whose hand might I take?
Will my smiles turn back into frowns?
Love isn't something that just happens.
Love doesn't have to appear.
If it is meant not to happen, it’s best if it disappears.
Love can wait, to be alone is not what I fear.
I have walked by the opera its lights shining bright,
I gesture to Mozart on my way.
Though my best friends are made out of stone I don't mind,
they are part of my every day.
A figure in the silhouette screen, which represents the
“shadow of herself,” appears and sings the lower part of the
last chorus in duet.
Love isn't something that just happens.
Love doesn't have to appear.
If it is meant not to happen, it’s best if it disappears.
Love can wait, to be alone is not what I fear.
After singing, she decides she can’t see very well without
her glasses and that she would be better off staying at home
anyway. She picks up the book “Gone with the Wind” and
begins to read…
Back to top
Scene 4: Ballroom. The MGRRC Employee Appreciation Ball
The MGRRC employees, MacWiggel, Talihoe, MGRRC board members
and investors, and Corporate United Party supporters have
come to the ball. The master of ceremonies welcomes the
ball’s special guest speaker, Gustav Grabenheimer, who talks
about promises the CUP plans to deliver if elected into
power. While Grabenheimer speaks, it comes to the attention
of the employees that Morris and Alex have come disguised as
women so they would not recognized by the management. They
tell the employees that they should go through with the
walkout but could not provide any more details at this time.
Once Grabenheimer finishes his speech, the master of
ceremonies places the “honored” employees in the middle of
the dance floor and all the other guests on either side. A
rather spontaneous act of jealousy happens between Fanny and
Zack as they end up grabbing other partners. The last call
for dance partners is announced. Homer, who is still waiting
for Zack’s cousin to appear, sees a young woman who has just
entered. To have a partner, he quickly approaches her and
gestures her to dance with him. She agrees and they join the
others just as the music starts.
No. 14 - Mémoires de Vienne (Ball Music) [LISTEN]
Scene 5: Vienna’s City Park (Once upon a Midsummer
Night)
During
a break in the dancing, Homer and his partner find
themselves leaving the ballroom to get some fresh air
outside in Vienna’s City Park. Together the couple enjoys
watching the sunrise. The time has simply slipped away.
Homer confesses that he feels guilty since he was supposed
meet the cousin of a colleague at the ball. It turns out,
however, that he did not “stand anyone up” since she,
admittedly, is Zack’s cousin, Sophie. He is both relieved
and happy, though she is someone embarrassed to be related
“to the bum.” The two have obviously fallen in love but they
discover that they will soon be separated as she will be
going to study art history in Salzburg. Coincidentally, he
too had applied to go the university there but, due to the
recession, will have to wait at least another year to go.
The couple agrees, however, that it is much more important
to focus on the moment. They sing about their new love.
No. 15 - Once upon a Midsummer Night [LISTEN]
HOMER
Once upon a midsummer night,
together under the light,
of the stars gazing brightly through the dark blue sky,
reflecting dreams in your eyes.
SOPHIE
Alone, below this heaven of stars
you took me into your arms,
and you said that you love me,
and we would always be together.
BOTH
Remember those midsummer nights
Till sunrise we'd walk hand in hand.
We'd dance through the night
Each moment hoping the time would never end.
INSTRUMENTAL (Flute solo)
BOTH
Above and beyond the stars on this night
we felt love take hold of us,
and we knew it was true,
and we would know this forever.
Remember those midsummer nights
Till sunrise we'd walk hand in hand.
We'd dance through the night
Each moment hoping the time would never end.
Once upon a midsummer night
The couple experience love’s first kiss and then they slowly
exit. Max, who had been sitting on a nearby bench also
enjoying the sunset, had overheard the couples’ declaration
of love and talk about Salzburg. He remembers having kissed
his wife for the first time at the same spot in Vienna’s
City Park. Then and there, he made up his mind that Homer,
too, will be going to Salzburg.
Back to top
Scene 6: MGRRC Boardroom (Ms. MacWiggel seeks
Advice from the Board of Directors)
The plan of the walkout at the Grinzing Merry-Go-Round
Restaurant has reached the Chairman and board of directors.
Ms. MacWiggel has come to the Boardroom to ask for advice.
Has she been implementing company policies too strictly? As
a backup, she tells the board of directors that she will
prepare a group of replacements in case the entire staff on
the shift decides to leave the restaurant. The Chairman
compliments her on her preparedness during this challenging
time. In addition, the Chairman attempts to provide some
encouragement: “if you are strict with the employees they
will only love and respect you for it.”
No. 16 - Don’t smile till Christmas [LISTEN]
CHAIRMAN
Don't smile 'till Christmas
Save a little a grin for that day.
Stand firm and they'll follow you
ALL
Love
CHAIRMAN
and respect work that way.
Don't smile 'till Christmas
Let them know you mean what you say.
Never compromise
They'll take you for a ride for their sake.
Don't show your emotions
ALL
Don't let
CHAIRMAN
them believe you can break.
Never compromise
They'll give you nothing back for all they take.
BOARD MEMBERS
Christmas bells are ringing
Little Children singing.
Everybody's happy to share the joy.
Christmas trees lit brightly
Snow flakes falling lightly.
Santa's bringing gifts for good girls and boys.
CHAIRMAN
Don't smile 'till Christmas
Save a little a grin for that day.
Stand firm and they'll follow you
Love and respect work that way.
Don't smile 'till Christmas
Let them know you mean what you say.
|
BOARD
MEMBERS |
CHAIRMAN |
|
Christmas
bells are ringing
Little Children singing
Everybody's happy to share the joy
Christmas
trees lit brightly
Snow flakes falling lightly
Santa's bringing gifts for good girls and boys,
Girls and boys. |
Rinalinging,
Singalinging.
Everybody. Share the joy.
Trees lit
brightly,
Snow falling lightly.
Santa's bringing gifts for girls and boys,
Girls and boys. |
ALL
Don’t smile till Christmas
Christmas, Christmas.
Mr.
Chairman asks her to wait outside for a moment while he
discusses the issue briefly with the other board members. He
requests Schmidt and Schnitzel to inform Mr. Talihoe that he
may have to step in as manager on “Black Sunday” in case
MacWiggel “falls apart.” After adjourning the meeting, the
other board members exit and the Chairman asks Ms. MacWiggel
back into the Boardroom for a final word. What did he have
to say to her?
Back to top
Scene 7: Carousel Room of MGR (From “Black Sunday”
to a Joker’s wild)
The breakfast orders have piled up on the rotation wheel of
the cooks’ station. Walter and Roger leave the kitchen area
and enter the main dining room of the restaurant where they
sit at a table which has been “reserved” for them.
They take out a deck of cards and begin dealing for poker.
Ms. MacWiggel exchanges comments with them which relate to
hands of five cards. Suddenly, Mr. Talihoe, Herr Schmidt and
Herr Schnitzel come out and “release” Ms. MacWiggel of her
duties as manageress. The reason for the dismissal was for
the incorrect implimentation of Company Policy which
eventually led to the planning of this walkout. Without a
struggle, she leaves. Schmidt and Schnitzel add a moral
statement of their own by scolding the employees for having
“followed the sheep” in the mutiny.
No.
17 - Monkey see as Monkey do [LISTEN]
SCHNITZEL
What they make is what they take,
It doesn’t matter if it’s cake.
They go as far to bake it for their sake.
SCHMIDT
It’s too bad that you were not as
clever as you should have been
to do the right thing for your little self.
BOTH
Monkey see as monkey do,
They make believe they want it, too.
Now they’ve got to clear the mess,
They made with all the rest without a clue.
|
SCHMIDT
What they make is what they take
It doesn’t matter if it’s cake.
They go as far to bake it for their sake.
It’s too bad
you were not so clever,
To do what was right for you.
Monkey see
as monkey do,
They make believe they want it, too.
Now they’ve got to clear the mess,
They made with all the rest without a clue. |
SCHNITZEL
What they make is what they take.
They will
bake it for their sake.
It’s too bad
that you were not as
clever as you should have been
to do the right thing for your little self.
Monkey see
as monkey do,
They make believe they want it, too.
Now they’ve got to clear the mess,
They made with all the rest without a clue. |
Thinking that the “replacement” staff is behind him, Talihoe
fires all of the employees on the shift. But, for some
reason, they do not budge. Rather than a new group to take
the places on this busy Sunday morning breakfast rush, Ms.
MacWiggel and two police officers enter. To eveyone’s
surpise, Ms. MacWiggel turns out to be the daughter of Frau
and Herr Berghoff, Police Inspector Elisabeth Berghoff.
Apparently, she had been under cover to gather evidence on
what appears to have been Gustav Grabenheimer’s ponzi scheme
of the MGRRC Quick Profits Fund! P.I. Berghoff just received
a call that Grabenheimer had been arrested at the Airport
with a load of cash in large bills in a briefcase just as he
was boarding a flight to Rio de Janiero. Mr. Talihoe, Andy
Fargone, Herr Schmidt and Herr Schnitzel are escorted
downtown to police headquarters to be questioned about their
roles in the fraud.
But P.I. Berghoff could not have done it alone. She received
invaluable help from some “top-hat spies” she arranged,
namely Alex, Morris and Herr Berghoff, all of whom collected
information for her. But what about the future of the MGRRC
employees who are now “on the streets” since the company has
gone under? Roger’s father, the president of the Fair Deals
Investment Bank, has agreed to help Herr Berghoff to revive
the Grinzing Inn with an updated 21st- Century
look to appeal to both young and old alike. And Herr
Berghoff has offered everyone work.
Now hold on. What about the Chairman of MGRRC? Was
Grabenheimer the doppelganger so that he could keep tabs on
the doings of the Board of Directors? It seems he was at
least cleared of this charge. But who then could it have
been? Suddenly, to everyone’s surprise, the silhouette of
the Chairman appears.
No. 18 - I confess I’m the Chairman [LISTEN]
CHAIRMAN
I confess I’m the Chairman
I’m the one you are looking for.
There’s no reason for me to run away
Since you have seen me before.
ALL OTHERS
He is claiming that he’s the Chairman of the Board.
Can we trust that he is the one we’re looking for?
Why does he tell us that he will not run away?
Does he know what consequences he will face today?
Money is not all that we need.
CHAIRMAN
Friendship is more valuable.
ALL OTHERS
Money can make us open to greed.
CHAIRMAN
Then our friends might leave us.
May I invite you to be my guests?
A midnight meeting would be the best.
I’m sure we could all be friends
If all is forgiven in the end.
CHAIRMAN
I confess I’m the Chairman
I’m the one you are looking for.
There’s no reason for me to run away
Since you have seen me.
Money’s not all we need.
Friends we value.
Money can bring out greed.
Than our friends just might leave us. |
ALL OTHERS
He is claiming that he’s the chairman of the board.
Can we trust that he is the one we’re looking for?
Why does he tell us that he will not run away?
Does he know what consequences he will face? |
Money is not all that we need.
Friendship is more valuable.
Money can make us open to greed.
Then our friends just might leave us.
This mysterious Chairman of the Board turns out to be none
other than The Grinzing Inn’s illustrious accordion player,
Max, who explains just how this could happen. Completely by
accident, the real Chairman had gotten cold feet before the
first midnight meeting. He had asked Max, who had been there
to “sneak a peak” at those attending, to step in for him
just one time since he was very nervous. He said after this
he would be fine and would then take over. But he never
returned. So Max thought this might be the opportunity to
break up the CUP-MGRRC scheme. After all, what did he have
to lose?
After explaining the whole story, Max, exhausted from the
whole ordeal, decides to go home and get some sleep. He
exits.
Herr Berghoff announces that tomorrow is Max’s 35th
anniversary as accordion player of The Grinzing Inn. They
all decide to throw a big party for the hero of the day. No
time to lose in getting The Grinzing Inn back on track!
Back to top
Scene
8: The new Grinzing Inn (The Grand re-Opening and
Max as Guest of Honor)
Connie leads Max in. He is blindfolded. When she removes the
blindfold, he is surprised to see the Grinzing Inn back
again. Except for a few modern touches, it almost seems as
if the Grinzing Inn had not missed a single day of its 200
years of history. Herr Berghoff hands Max his accordion.
Excitedly, they all sing the final number.
No. 19 - Finale [LISTEN]
ALL
Grinzing In where our hearts have always been,
to leave means surely we'll be back again.
Singing songs from days not long ago,
there's nowhere that we feel so much at home.
PART 1
Our customers are always number one
We go the length to please everyone
Of course, so friendly we serve
As long as they don't get on our nerves
And leave a big tip on the, leave a big tip on the,
leave a big tip on the plate!! |
PART 2
Our customers are number one.
We try to please everyone.
We’re friendly, they’re nerving.Leave a tip,
leave a tip
Leave a tip on the plate! |
Sung in three groups simultaneously (in front position,
the board wearing top hats)
|
PART 1
Everybody knows that the three important things in
life are one, money! two, money! three, money!
Money buys
us happiness and all we'll ever need, so make more
money, bring it to me,
and see what I mean. See what I mean.
|
PART 2
Money, as sweet as honey, you're never alone when
you've got money.
Profits bring you lots of friends, two for one, in
the end;
two for one in the end. |
PART 3
Nothing brings me so much joy, as rising profits and
falling gold.
And what a thrill when I'm in the black, I can buy
my youth back
and will never grow older, older.
|
|
Money’s not
all we need.
Friends we value.
Money can bring out greed.
Than our friends just might leave us. |
Money is not
all that we need.
Friendship is more valuable.
Money can make us open to greed.
Then our friends just might leave us. |
Money’s not
all we need.
Friends we value.
Money can bring out greed.
Than our friends just might leave us. |
Instrumental
SPOKEN by SOLIST (as in an announcement)
The final thing on the list
We hope you’ll always remember:
Once you’ve come to us, you’ll know your place.
We won’t give you a line, just so you’ll dine.
SUNG by SOLOIST
And we’ll know the name behind the face.
PART 1
A friendly policy we aim to serve by,
Treating all our guests royally.
If you give us a chance we’re sure you will see
Exactly what’s behind our promise of a friendly
policy. |
PART 2
A friendly policy
Treating guests royally.
If you give use a chance,
We will promise a friendly policy. |
Grinzing In where our hearts have always been,
to leave means surely we'll be back again.
Singing songs from days not long ago
there's nowhere that we feel so,
nowhere that we feel so much at home. |
Grinzing In where our hearts have always been,
to leave means surely we'll be back again.
Singing songs from days not long ago
there's nowhere that we feel so,
nowhere that we feel so much at home. |
Should you be interested in viewing (print enabled pdf) a
representative section of the script, please click
HERE.
For performances using the full instrumentation, the
following instruments are required:
Flute, Clarinet (Bb), Alto Saxophone (Eb), Tenor Saxophone
(Bb), Bassoon
Horn in F, Trumpet (Bb), Bass Trombone, Tuba
Keyboard Synthesizer (Piano, Organ, Accordion)
Percussion (xylophone, glockenspiel, timpani, drum set)
Strings (min. 2, 2, 2, 2, 1)
For actual performances of Company Policy - Concession in a
Recession - I have developed three possible options which,
as always, depends on the musical forces and budget
available:
1. with orchestra (see the instrumentation) - full scores
and parts
2. with piano accompaniment OR
3. with CD backing tracks (the same as the included CD but
without vocals)
A forth possibility would be to perform the songs (in
combination with one of the three options above) using this
synopsis with the songs as a “concert” version. This would,
of course save the costs and effort of sets, props and
costumes. One could also use fewer “unique” characters to
perform the songs than in a performance with individual
roles.
To obtain full scores and parts, piano-vocal scores, full script
and / or the backing track CD for viewing, purchase or
negotiation (i.e., charitable events,
economically-disadvantaged organizations) please contact me
through the Contact
section of this website or use the email address
LaubacherEdition@gmail.com. The script and / or scores
may either be sent in full printouts or, preferably, can
also be sent as email attachment.
|